Willem De Kooning

HISTORICAL BACKGROUND Willem De Kooning was born in 1904 in Rotterdem, the Netherlands. He enrolled in classes at the Rotterdem Academy of Fine Art which he was apprenticed to a commercial art and decorating firm and later on, working for an art director. He visited museums in Belgium in 1924 and completed progress studies in capital of Belgium and Antwerp. In 1926 Willem left Europe and arrived in New York City as a stowaway. In 1927 he met Stuart Davis, Arshile Gorky and John Graham who introduced him to Cubism, particularly the work of Pablo Picasso. He took several(a) commercial art jobs as well as earning a wage as a house multicoloured until 1935, when he was employed in the mural and easel divisions of the Federal Art Project. However, in 1937 he was forced to expel because he was not merely an American citizen. From then on, De Kooning painted full-time. In the late 1930s, his sneak and figurative work was mostly influenced by the Cubism and Surrealism of Picasso and by Gorky who he shared a studio with. In 1938 de Kooning started creating working with a theme that would recur many times in his later life - Women. He exhibited in many root shows during the forties with other artists who would form the New York School and became cognize as Abstract Expressionists.

The artists included Jackson Pollock, Mark Rothko and Clyfford Still. De Koonings offset solely exhibition took place at the Egan Gallery, New York in 1948 and ceremonious his reputation as an important and influential artist. In 1950 de Kooning followed up his 1938 Women with a new series, reintroducing the female form into oversize and tawdrily pa! inted canvases. In the following decade he amalgamated landscape fragments with the figural and abstract elements in his paintings and drawings. If you regard to make grow a full essay, order it on our website: OrderCustomPaper.com

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